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« : 11 de Mayo de 2016, 09:17:41 am »

the play.”) Questlove had always hoped that this show would offer more than just cover tunes—that it could give the audience a glimpse into D’Angelo’s creative process: how a song like “Chicken Grease,cheap jordans,” on “Voodoo,” could grow out of Curtis Mayfield’s “Mother’s Son” when the right musicians were playing. “I want to re-create that magic,” he’d told me.
 
 
At first, this seemed like too much to ask. D’Angelo kept glancing at his lyric sheets onstage, and in the moody opening number—Jimi Hendrix’s “Electric Ladyland”—he sounded a little unmoored, his falsetto trailing in the air. But then, slowly,cheap jordan shoes, the band found its footing. The bass and the drums fell into step and the rhythm section began to stretch and flex, like some great beast stirring. With Kendra Foster wailing harmonies beside him, D’Angelo seemed to take courage in the sound of his own voice. And soon Captain Kirk—his nerves soothed, perhaps, by time spent in the Slytherin room—was sliding across the stage on his knees
 
 
 
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